Wednesday, 23 July 2014

HELP

I'm so sorry I haven't posted for a long time. In truth I've been nervous with this new site without son Tom holding my hand.

Another reason I've held back is that I've busy try to finish my novel LIES. The cover is done, all I've got to do is tidge the book and get it printed. All? Ha, ha, ha.

Also my out-of-the blue extraordinary Emailer Sam Westerby has fixed me up with interviews with Ken Bruce, Steve Wright, both Radio 2 and Robert Elms of  Radio London. Amazing.

Whoops! Now thew phone's ringing and someone's knocking on the door. Oh, lord. I've got to go. Will I ever finish the bloody book!

Wednesday, 2 July 2014

Security

Text: ‘Unsure if you qualify for a refund of PPI paid on a loan or credit card? Reply PPI and we will run a no obligation check or reply STOP to opt out. TPPCO.’
STOP, STOP, STOP! Who are these people? I get so many of these queries. Very spooky. I’ve heard so many stories of people being ripped off. Push the wrong button on your phone and they’ve got your bank details, they’ll have the shirt off your back in a trice. In 2014 there seems to be these sort of con men everywhere. 
Now I get gobbledegook texts from apparently Barclays Bank: ‘We want to verify recent activity on your debit card. We will text further details in a SMS, We require your response.’ 
Days pass. No SMS (?) is delivered.
Then another text ‘Your credit card is cancelled.’

Followed, minutes later, from wonderful Barclays. ‘Your debit card is now active and ready to use.’
Great. I rush rush round to the cash machine. Put in my number, the amount of money I want and wait. Nothing. Then the card pops out. I go into the bank (Barclays) and tell them what happened.

‘I’ll phone Security. What’s your password? Are you paying rent? What is your post code?’ I stared at this 35 year old man, a couple days growth adorning his face and a signet ring that resembled a knuckle-duster. Instinctively, I didn’t like him. He represented all those twits that keep sending me texts about my card.
‘I’ve been with Barclays for over fifty years and you still keep asking questions.’ He shook his head and went back to the phone. He was speaking quietly. I waited and waited, wanting to have a wee or a fag, anything to get out of this place. He pushed the phone under the grill. ‘They want to speak to you.’
‘Hello?’
The voice was incomprehensible, like a demented wasp in my ear.
‘Can you slow down, please.’
No, he put his foot on the gas, now there half a dozen wasps on the rampage. I handed the phone back to the unshaven man. The miming continued. He put the phone down. ‘Right, you have to go to another branch with an ID and they can print you a new one.’
‘Can’t you just send it through the post?’
He looked at me as I was mad. ‘No, of course not. We have to think of Security.’
That bloody word again.
Outside, I light up, ‘ping’, a text.
‘Thanks for contacting Barclays. We’ve cancelled you Debit Card you need to come to a branch with an ID.......’
Alright, twit face just told me. 
Then a letter from Barclays. ‘Urgent-Please open immediately.’
I open it quickly as instructed and there it is..the cause of this chaos that released Barclay’s dogs of war to send texts galore. It’s a simple transaction, I gave Tom, my son, my card number to pay Internet charges that had been sent to him in error.

My conclusion is simple: why, why send all these texts when a simple letter, as I’ve just received, explaining what the problem is, it would have sorted the matter out in seconds.

No, texting is the main way of connecting, hundreds of staff at Barclays are poised to text in the name of Security and probably just a couple of people with pens who can write letters.

Yes, the world has gone crazy. For instance, I read about this in a newspaper (a reliable  one by all accounts), a man pressed a button and ordered a penis enlarger. When the package arrived he opened it eagerly. It was a magnifying glass. 

I quote: ‘Security functions as a kind of soothing, brain-deadening Unspeak to bamboozle us into supposing that whatever is done under the rubric must be for the best.’

FOR THE BEST!? Rubbish.

I rest my case.


  

Thursday, 19 June 2014

SILENCE IS GOLDEN?


I’m standing in an enormous queue in the Post Office. There seem to be dozens and dozens of people in front of me. We’re all hemmed by barriers to keep us in order, not unlike the penned sheep in One Man and His Dog.  

There is very old man coughing incessantly behind me. ‘Are you alright?.‘ I say to him.

‘I’m only waiting for my pension. Look at all these people queuing, with closing post offices all over the place, it’s a Government plot hoping us old folk’ll die before we pick up our money.’

I often go shopping early and dotted around at that time in the morning are old granddads or grandmothers wheeling prams with screaming babies on board. They’ve probably got a single parent daughter working. ‘Can you look after Pricilla for me?‘ So, dad or mum walks the little granddaughter round and round, changes nappies, trying to pacify her when she cries and feed her five days a week. They won’t last long at their age with that routine.

In London last week and I noticed another ‘old folk‘ hazard. We all know Pedestrian Crossings: the Red man is showing, wait, then the Green man pops up and off you go. But now things are different, there is a small screen below the Green man. The minute he shows up, the screen displays the number 10 then 9 followed by 8, counting down the seconds for you to cross the road. Shit, imagine an old soul using a Zimmer frame trying to cross Regents Street in 10 seconds! ‘The Quick and the Dead’?

Two possible explanations for the 10 second time scale: (1) Maybe it’s assumed the ‘Old Folk‘ don’t come into central London or (2) The the ‘coughing man‘ in the post office was right. There is a government plot. 

With the terrible weather we’ve been having the media is full of Global Warming. One thing that car manufacturers are contributing to the problem is trying to achieve is a cheaper version of the Electric Car.

Rack forward twenty years. There are Electric Cars everywhere. Global Warming Emissions are now at an acceptable level. All Seasons are in the right place. Enough rain for the farmers. Enough sun for seaside holidays. The Economy is stable. Everyone is happy. In one fell swoop the government has solved all of our problems. Everything is stable. Everyone is happy. And electric cars are cheaper and most people have one.

But grown up Pricilla isn’t happy. As her mother before her, she’s been put up the duff by a man who’s disappeared and she has no one to look after her baby.

Why? Because all the ‘deaf as posts’ old folks are dead. Killed on crossings, worn out by grandchildren, dyeing in queues or mown down by the silent electric cars all for the greater good of Global Warming.

The coughing man was right.....There was a Government Plot 

Saturday, 1 March 2014

Soul Music


We left Sloane Square tube station and made our way to The Antelope pub where we’d booked a meal before going to the concert at The Cadogan Hall. The pub was packed with office workers having a few scoops before wending their way home. There seemed no way to get to the bar. Somebody told us that the ‘restaurant ‘ area was ‘over that way’.

It turned out to be three tables in a corner and the only way to order food was at the bar. It was hopeless. So we pissed off.

Tummies rumbling, we finally moved to the concert hall.

It was like the annex of an Old People’s Home. Zimmer frames and sticks everywhere. These old souls seemed to have been brought to the concert by grandchildren, who being the offsprings of well heeled punters presumably had left their horses outside tended by grooms.

Cloakrooms: this title is the posh way of indicating Toilets. Remembering sticks and Zimmer frames, all the ‘conveniences’ were downstairs. Seeing all the infirm struggling to get to the toilets was scarey. Once they’d reached their destinations, then there was the difficulty of dealing with their bodily functions. The old gents standing at the urinals waiting for a dribble was like looking at the waxworks in Madame Tussauds. Once dribbled out they make their way to wash their hands. Another hurdle. No soap, water boiling but they persevere. Then they go to the hand dryers and struggle to find a button to activate the machine. Finally, hot air gushes out almost blowing the old gents over.

Upstairs, drinks are flowing and crates of champagne are ordered for the interval. More toilet activity guaranteed.

The Concert Hall. The stage is littered with chairs waiting for the talented bums of The Royal Philharmonic Orchestra. When they arrive they’re all dressed in black, suitably garbed in case, or more than likely, one of the old souls might pass away during the concert.

The conductor is Freddy Kempf who is fascinating to watch. I suspect that he’d washed his hair about eighteen times before the concert because it seemed to have a life of it’s own. Swishing this way and that no matter which was Freddy was moving. Boy, was I jealous of his thatch! The leading violinist was a tall blonde, whose hair didn’t move despite her head swaying emotionally with each dramatic moment.

The first violinists are seated on the right side, the seconds on the left. The seconds seemed to watching the firsts intently in case one of the ‘firsts’ snagged his or her finger and had to be replaced.

The one worrying part of being the audience at a concert is when to applaud. The orchestra tend to stop, put down their instruments but don’t clap it might not be the right time. It’s best to wait until the knowledgeable start`applauding then you can join in otherwise you might get kicked out.

Once they start playing it is beautiful. All fears and doubts are put on the back burner. Everyone is caught up in the glorious music of Beethoven. The strings soar and the audience is in raptures.

Leaving, everyone was smiling like they’d just had a slice of my mother’s chocolate cake.

At the tube station was an old busker playing a violin. I put £5.00 in his hat. Beethoven is good for the soul. And buskers.

Monday, 27 January 2014

Fifty two years

me and Jane Birkin

‘You stole my part.’

‘Pardon. What part?’

‘I was Tolen in the Knack at the Royal Court. You stole my part in the film.’

‘Sorry.’

Slough last weekend. And that ‘conversation‘ with an actor called Julian Glover. Dozens of ‘actors‘ were assembled dotted all over the place in a hotel off theM 4 signing autographs for jolly punters. Most of them I don’t know and they didn’t know me.

‘Hi, Ray.‘ An oldish man was sitting another table smoking an an e-cigarette, something that I wish I’d been able to get on with, save me having to nip out for a roll up come wind or rain. ‘Tom.‘ he said. ‘We worked together at the Royal Court.’

The bloody Royal Court again. The last time that theatre was mentioned was five years ago in a Public Library where I was giving a reading. A woman said, during a Q and A session. ‘Have you worked at the Royal Court?’ ....‘Yes.’....’My friend and I used to go the regularly in the 60’s and every time we came out of theatre we always say to each other what was that play about. My question is, when you did a play there, did you know what it was about?’

I settled myself in my seat behind the table, next to me was Angela Douglas. I haven’t seen her for 52 years when we were doing a film called Some People in Bristol. It was good to talk to her. Mind you, there was a hell of lot of stuff to catch up on. She’d married Kenneth More, who she’d met on the the film we’d done together. Kenny died over twenty years ago and she’s been living with a Scottish director ever since.

After we’d been to the room set out for lunch. ‘Smells like an elephants farted.‘ Angela said. She went back to the autograph table and went off to the bar for a glass of wine. 

The day was dragging on. Eventually it was time to go. ‘Oh.‘ says Angela, who’d spent most of the day grabbing my arse. Sexual assault? Could I sue? ‘I forgot to mention that my partner directed you in a play at the Royal Court.’

Here we go again. Three times in one day! Driving home I thought about the R.C. The play that I did there was called Backbone by Michael Rosen. It was a long time ago but I have fond memories. They didn’t pay a lot of money, about £10 per week, but it had elements in it that all struggling actors, in those days, dreamt about.

Food! Two hot meals during each performance! Bliss.  

Sunday, 5 January 2014

2013-2014

Basil Rathbone never got shorter
This is a stressful time of the year. All the resolutions of last year have turned to dust, now I have to find some for 2014.  Newspapers, at this time of the year, change out of all recognition. Journalists seem to take the easy option filling the pages with ‘Top Events of the Year.’ ‘Predictions for 2014.’ ‘Years best Bio-Pics’. But best of all, and this must be desperation, New Year Resolutions for All. Bloody hell. Sub clauses include; Resolutions Anyone Can Keep Including You. For Social Media Losers Who Want To Be Winners. For Youngsters Who’ve Just Left Home. Ten Resolutions For Dogs. If You Want To Stop Being Annoying To Other People. Ten For Journalists. That’s perfect.......stop writing these fatuous articles. Including you, Catlin Moran, who can’t stop writing about anything and everything. Her contribution is My New Year’s Resolution. Give me strength, who cares?

Every year my main resolution that is to Keep Trying to Improve My Writing. But what to write and how to improve it? My burden, my weakness is reading the Guardian Review. For instance if a book is recommended in glowing terms. I buy it. Recently I bought Questions of Travel by Michelle de Kretser. The blurb on the front says ‘She writes quickly and lightly of wonderful and terrible things.‘ A.S. Byatt, Financial Times. The word that sticks in my craw is Byatt’s ‘writes lightly.‘ Lightly? The book is almost impenetrable. It may be ‘light‘ for Byatt but for the likes of me it’s like a ton weight. As a book it’s up there with Zen and Art of Motorcycle Maintenance. I remember dozens of people in the 60’s carrying it around but I never found anyone who’d read it.

Kretser’s book and TV’s Sherlock are very similar. Simple stories but wrapped tightly with meaningless distractions. Like Sherlock’s technology. Text writing smothers the screen at regular intervals, scenes follow scenes that don’t seem to have any connection with what’s gone before. Another mystery is that Sherlock appears to be shrinking. If it went on for a few more episodes Sherlock could well be sleeping in a matchbox.

I could summarize Michelle’s book and Sherlock on two A4 pages. But the shrinking Sherlock is popular, maybe TV watchers like to be confused. Michelle’s book was not big seller.

Conclusion: TV is chewing gum for the eyes. Throw the kitchen sink in, it doesn’t matter. But books are a different animal. You could fall asleep in front of the telly but fall asleep with a 1000 page hardback on you lap, you could do yourself some serious damage.

I quote the much vaunted Guardian summarizing ‘great books and writing’. ‘The final coup de grace comes with the throwing of a random spanner into the works: a moment when all is reduced to chaos, as Frayn writes, by “a completely unconnected and irrelevant event.....a velleity that comes out of nowhere and has no imaginable significance or place in any self-respecting causal chain.”  What?!

I’ve tried writing for TV but never quite made it. I try to write books, try to improve but how? Should I try and follow Fran’s line? Could I even do that? Do I want to? To be reviewed in Guardian I’d have to have ‘velleity that comes out of nowhere.‘ No chance.

Plod on, Ray, leave the highbrow seekers alone. And stick to reading paperbacks, I had enough injuries last year. Night, night.  

Comments

  • Lee Rolf
    Hello to you Ray

    Belated Happy New Year

    From East Brighton
  • Ann Wilson(Saturday, January 25 14 07:14 pm GMT)
    I know how you feel. As you may or may not know I have written poetry and a few short stories that actually makes sense and mostly rhyming poetry too, neither of which is fashionable nowadays! I can't write any other way, so will never make any money! We can only be who we are Ray and be true to ourselves. I enjoyed your bio and novel by the way so don't give up!

Tuesday, 10 December 2013

Mr Sandman


During the 3 months after my tumble I was finding it difficult sleep. Laying there like a plank, unable to turn tight or left, I spent most of my nights ironing, making mugs of tea staring out of the window chain smoking, when I ran out of stuff to iron I even contemplated taking the sheets off the bed and ironing them. 

It was bloody awful. Now time has passed and things are different. No nocturnal ironing, no night time mugs of tea and copious numbers of fags while staring out of the window. It seems as if I’ve turned the corner at last. 

But still tiredness lingers on the outskirts of my conciseness. Every time I sit down I drift off. I must have lost so much sleep during those ninety days. My eyes are happier closed then open. I now sleep in the afternoons, not just a nap but full blown out of the game. I reckon that I’m fully awake about forty minutes a day.

But there is one advantage to all this. Over he last year or so, every time the phone rings I hope it’s my agent with an offer offer of a job but it never it is. Gutting, it really is. But now, I realise I couldn’t do a job because I couldn’t stay awake long enough. So I content myself, and earn a bit, going around to events for Dr Who conventions or Cathy Come Home do’s signing photos and selling a few books.

The punters don’t seem to mind a yawning ex Dalek slayer confronting them.  

Comments


  • Ann Wilson(Friday, December 20 13 12:17 pm GMT)
    Glad you're feeling a bit better Ray, awful when you can't sleep. I was the same after knee replacements, just couldn't get comfortable despite painkillers, which made me nauseous anyway. I hope you and family have a Merry Christmas and I hope you have a peaceful and hopefully fruitful New Year!
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  • Simon Drew(Tuesday, December 24 13 01:42 pm GMT)
    Happy Christmas Ray
    Love
    Simon